George Shaw: We started pretty early in, during the animatic phase. Screen Rant: What's that process like? When the music is ongoing throughout the episode, are you finding a way to connect it to the storyline? What are you thinking about when you're making it? It's just a privilege to be the musical voice behind Yi and Everest's powers.

For a twenty-two-minute episode, there's probably an average of eighteen or nineteen minutes of music. George Shaw: There are ten episodes, and every episode is just chock-full of music. Screen Rant: The series isn't a musical, but it has a lot of instrumentals, especially because of Yi's magical violin. But I'm so happy to come full-circle and be the composer on the TV show. I'm an expert on various Chinese instruments, and I'd be happy to help if there's anything I can do to help,' but didn't get that opportunity. I approached the executives and said, 'I hear of this movie that's set in China. I was actually in the Universal Composers Initiative, and it was actually our first day of the program.

George Shaw: It would have been a dream to actually work on the original film. Did you do any work on the original film?

Screen Rant: I just wanted to start by asking how you got involved in the series.

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