I believe, if memory serves, there might have been some sound effects that occurred there, but I don’t recall, off the top of my head. We just didn’t feel there needed to be music on the title screen. Regarding this, Kondo responded:įor us, it wasn’t an omission it was a choice. USgamer went on to ask why Super Mario Bros. So if it’s tough for me, I think it’s even tougher for them. They’re working on music that I composed, and now they’re having to go back and do some rearranging to match current games. It’s tough for me, of course, but maybe even more so for the people on my staff, who are working on different arrangements of music they didn’t even compose. And that’s true for every title, starting from the first. Tezuka-the three of us-right up until the very last stages of development, listening to all of these different music pieces that I created, before we finally settled on what we ended up using.Īny time you’re working off of existing music, and you’re revamping it for the next title, that’s just always a tough gig. It took me a long time to come up with something I thought would work, and it was really me and Mr. I remember creating lots of different music in different styles, trying to come up with something that would match that game and be different enough from the original Super Mario theme. That indelible impression it left in the user’s mind with how it matched up with what Mario was doing on the screen-that was a big mountain to climb when we started working on the music to Super Mario 3. The Super Mario theme itself was almost a little too empowering. The most challenging was the main theme for Super Mario Bros. Kondo pointed to one game: Super Mario Bros.

3 / Super Mario Advance 4: Super Mario Bros.In a recent interview with USgamer, Koji Kondo was asked about what soundtrack/piece of music gave him the most difficulty.

Super mario bros 3 world 5 music